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by
Katherine Mannheimer (Author)
This study interprets eighteenth-century satire’s famous typographical obsession as a fraught response to the Enlightenment’s “ocularcentric” epistemological paradigms, as well as to a print-cultural moment identified by book-historians as increasingly “visual” – a moment at which widespread attention was being paid, for the first time, to forma
Author Biography
Katherine Mannheimer is an assistant Professor of English at the University of Rochester, USA.
Number of Pages: 248Dimensions: 0.6 x 9 x 6 INPublication Date: December 10, 2019
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